As a group we en counted minor setbacks at the start of production as any other amateur production company would encounter.But with the leadership of Jacob Collins Brown and craft of Steven Reid we prevailed and overcame these minor mishaps.
When constructing our film sequence we didn't have much preparation , for example ; shot list and detail to performance (acting) during filming, but with the guile and poise of Jacob during the editing stage, we began to link our shots and bind it to bring an uphold of satisfaction. Evidently in order to bring more quality to our production, we needed a wider variety of shots , such as ; the 'mid' shot of 'yacob' walking into the woods (which was captured by our camera man Steven Reid. who was poised on top of a tree as he attained this prestigious shot). We learnt that is was hard to capture certain shots just once but need many more takes at it as an insurance for the group and also gave us more options during editing.
This is a screen grab during the editing stage of production. it is crucial in film that each shot conjuncts and compliments each other, so attention was vital in an for success.
We thought filming with the camera's would be an obstacle to the group but Steven the camera man was not phased and produced very technical shots which were accumulative to the quality of the film its self. Also the editing soft ware (final cut pro) proved to be a thorn in the side of the group due to the constant freezing of the software , but Jacob Collins Brown, the groups editor, sacrificed a lot of hours beyond college hours to ensure his groups film was completed with composure and not just being rushed. All in all that we attained some trouble during production, due to technical hitches with equipment we were assigned but the extra hours Jacob Collins Brown spent on the film has proved well and has seemed to be very productive.
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